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Sunday, 18 January 2015

A Pretty Talent: A Community Business

by Marietjie Uys, South Africa,

Doing Unto Others.
A Pretty Talent was born out of people’s frustrations. I heard once too often that people were unable to source what they needed to pursue their talents for creating pretty things, be it art or crafts. I started a Facebook Page, advertising my willingness to buy these items for them and ship them to wherever they were. I would charge only a small handling fee. Buying at a slightly larger scale soon made it possible for me to purchase at better prices and my clients were quick to benefit from this. It took only weeks for me to realise that I should keep a small quantity of certain popular products on hand and resultantly started building up stock. Next thing you knew, I had a small shop going that launched into a fully fledged online store.


Having artists and crafters as clients, I soon became aware of their frustrations and, in some cases, inabilities to market themselves effectively. This sparked the idea of starting an online gallery, incorporated in the store. It was not that I was unaware of the myriad online galleries already in existence; it was that I believed I could bring something extra to the table. Aside from artists and a handful of collectors / buyers, very few potential buyers would venture into online galleries. Combining this with a store, would give people a reason to visit the website, where they could ‘stumble upon’ the art in the Gallery, not unlike walking past a bricks and mortar gallery in a shopping mall. This meant expanding the stock to an even wider range of products that would draw an increasing number of “feet". 
With this in mind, the stock was expanded to include books, with negotiations underway to include the stock from a local dealer. It also opened the opportunity to give crafters a platform to sell their products. These were already part of my clientele and it seemed a logical next step to give them a marketing platform as well.
The idea was to give potential buyers a place to stop where they could buy all sorts of beautiful and decorative products for their homes, offices, etc. I wanted to go one step further. In South Africa there are plenty of extremely talented people whose products do not get the accolades they deserve. They are restricted to selling their hand-crafted products on flea markets (open air markets), where its value is reduced by the knick-knacks sold alongside it. At A Pretty Talent, the aim is to market these people under their own names, assisting them to build their products into a brand which would be recognised.
This is the same way that artists were being presented in the Gallery. No more scrolling through long lists of paintings. Each artist has a signature piece next to their name. When visitors click on the image, the artist’s portfolio opens up and the rest of the works are presented with all the necessary details about the paintings.
The service does not stop there either. Since I charge 25% commission on all sales, it remains in my interest to market the art in the Gallery. This is done across a wide variety of social media platforms and literally any other opportunity that presents itself. Artists are also encouraged to make use of these platforms themselves and assistance is given where needed to help artists to do so. They are given guidelines as to how to photograph their art, what information to include about the pieces, and how to go about using technology to sell their products. I encourage artists to keep me informed of anything that happens in their lives which could be used as a marketing tool. For instance, when an artist sells a painting, regardless of whether it sold through the gallery or not, a message is sent throughout the social media congratulating the artist and bringing the fact under the attention of potential buyers. The strategies are as varied as the lives of the artists. The more involved the artist is, the easier it is to find ways of marketing their art. But we go even one step further. As often as I get a response from artists to my requests to do so, I will use the information they send me to write a “Meet the Artist” article on them. This involves biographical information about the artist’s life, their career in art, something personal and some interesting anecdotes. This is done to introduce the artist to potential buyers, who are all too often distanced from these great creative geniuses. We give them a window into the lives of the artists, introducing them to the world of the artist and helping to establish the artists themselves in the hearts and minds of their clients.
The business has grown so exponentially in such a short period of time that it caught me quite off guard. Yet I am thrilled, because it means that even more ideals can be reached in the near future. We are currently working closely with Artworld towards promoting African artists in a portraiture initiative. The next thing is to create a space for artists and crafters to advertise services, for instance art lessons, pottery lessons, etc.
A little further down the line, I hope to put together a tour package and / or art camp, where a number of art teachers across a range of mediums will undertake to give art lessons to the course attendees. We can either travel to the teachers, or book a venue for a weekend/week and invite the teachers over. The details will be finalised as the arrangements progress.
The idea remains to promote art and artists in (South) Africa, to help build self-esteem, to attach a true value to art, to inspire people to keep on creating, and to put a network in place to continue to develop these unique skills. At A Pretty Talent we are blessed to be part of the lives of a growing number of excellent artists.

Acknowledgements
The work of the following artists illustrates this article: Morney Hans, Anton

Kilian and Linda Rossouw and. All work appears with permission of the artists.
For a full list of artworks, their size, material and asking price, refer to the A
Pretty Talent web-site.

Editor’s Note: Artworld has been working closely with A Pretty Talent on setting up the African Portraiture Service in South Africa. As an artist herself, owner Marietjie Uys is an active member (and long-term supporter) of the Artworld community. It has been my pleasure to see how a small business is so focused on meeting a community need, in this case the availability arts and crafts’ supplies and an on-line gallery for emerging artists. It’s worth pointing out, to those still reading, that the idea for this, rapidly growing, small business, could be transplanted to other places, rural, with the artists widely dispersed. The Australian Outback and much of South and Central America spring to mind. If your interested, why not drop Marietjie a line?



Thursday, 15 January 2015

What were they thinking?

Getting into the heads of designers and illustrators using pen and ink

In my previous blog entry, I told you about the fun I had with Daler-Rowney Pitt pens for artists. The very next day saw me back in the studio, determined to put those pens through their paces. I was still very intrigued by the designers and fashion illustrators I had (re-)discovered the day before and decided to make an applied effort to get into their heads as far as the creative juices were concerned. My inspiration was drawn from this book:


I knew straight away that it would be the ideal marriage to introduce the Daler-Rowney FW Acrylic ink to the process. I could barely wait to get started. The whole drawing and most of the colouring in was done with Pitt Pens. The flesh parts and the background green were painted with the FW ink. I painted with two angle brushes.
(After a drawing by Lorenzo Mattotti)



I took the photos while the ink was still wet, which is not entirely fair to the paper. I used Canson 120 gsm paper, which recovered quite nicely once dry.



After experimenting with the FW ink and Pitt pen combination, I wondered if I could be satisfied with only the pens again. So I tried the purist approach. Let me assure you, those pens lack nothing. It was a marvellous experience.
(After a drawing by Roberto Cappucci)


  
I drew this picture using a charcoal pencil. I coloured great parts of it with Daler-Rowney Pitt pens wanting to see how the pens would respond to charcoal. I was pleasantly impressed until I checked the points of my pens which had become soiled by the charcoal, Though I managed to clean this up, I am not sure I would risk my pens like that again! I then added the red using Daler-Rowney FW acrylic ink and an angle brush.
(After a drawing by Michael Cooper)




I then came across this dashingly beautiful design by Ralph Laurent. I am not sure that the photo allows you to see the Pitt pen drawing. Nonetheless, I drew the sketch with Daler-Rowney Pitt pens. I then coloured the flesh parts of the drawing with the same pens. I painted the coat red using Daler-Rowney FW acrylic ink and an angle brush. Still it lacked something. I then remembered some markers I bought years ago. I think it was made by Pentel, but there are no markings on the pens for me to tell for sure. They came in a set of 5 colours (black, red, green, yellow and blue) and they have brush points, which is why I bought them. Not owning a black Pitt pen, I grabbed the black from this set to add to the picture. That did the trick!
(After a drawing by Duncan)


  
I drew this sketch with a combination of Daler-Rowney Pitt pens and for the grey I used a Staedtler fine-liner. I then coloured the drawing with Pitt pens, before adding the red and black with my unknown-name markers with the brush tips.
Right from the start, I was uncertain about adding the cello, but I decided that getting into the heads of these great fashion designers and artists meant going all the way.  I am still not sure that I like it. Perhaps it draws too much attention away from the figure?
(After a Karl Lagerfeld design, drawn by Joe Eula)


  
I had been drawing for the greater part of the day and it was getting late, before I remembered about the Paint Markers by Pentel. I had never used them, but I was determined to work with pen and ink and they fell into that category, so out they came. I drew the picture using Daler-Rowney Pitt pens. I then added the black, using the unknown marker with the brush point.  The colour was added with the Pentel Paint Markers. They worked like a dream and became an instant hit. I added the yellow last and was pleasantly surprised to see how vibrant it remained, even when applied over ‘stronger’ colours. The finishing touches were added with a grey Staedtler fine liner. This was mainly used to add a lighter shade for the black, e.g. in the belt area.
(After a drawing by Mattotti)


  
Nearing the end of a day spent drawing, I suddenly turned into a purist again. For this drawing, the only male figure all day, I used only the Daler-Rowney Pitt pens with Indian ink.
(After a Gianni Versace design and a drawing by Viramontes)


  
I am passionately hooked on Daler-Rowney FW acrylic ink and I was already packing everything away after a whole day of drawing, when I decided to do one more drawing, this time using only my favoured FW inks. I grabbed a nice big Hadida feather from the stash my nieces and nephews collected for me. I dipped the feather in black ink and drew a quick portrait, the only portrait for the day. I then used an array of colours that astonished me, since I did not really colour the picture, but left it largely white. Can you believe there are 3 blues, 3 reds, a black, gold and yellow in there? The brushes I used was a small flat, two angle brushes and a fan for the earrings.
(After a drawing by Viramontes)


  



Tuesday, 6 January 2015

Daler-Rowney Pitt Pens for artists

I recently added some Daler-Rowney Pitt Pens to the store after purchasing them from an art store that was closing its doors.  I had never worked with these before and was very curious to see what could be achieved.  Of course, I was not spoiled for choice, but was left with the brunt of the stock, the leftovers.  My colour choice was therefore limited and I could not specify points.  I simply took everything that was left and made the owner an offer he could not resist.  Today I finally got around to exploring the possibilities.
First, a word about the pens. This is the information I obtained from the pens itself and this is also what got me so super excited:
"Faber-Castell Pitt Artist Pens:
  • Indian Ink;
  • Waterproof;
  • Highly Lightfast.
Buy 10 or more at R35 each.  Specify your preferences in colours and styles in the notes option upon checkout."
The first thing to do is to gather the needed materials.  I got myself one of each of the pens in stock, a drawing pad and a second-hand book on fashion design for inspiration.  (This book is also available from the store.  All links to the products will follow at the end of the article.) Having a diploma in Haute Couture, I tend to lean towards these drawings even years after leaving the industry.


The next logical step, was to test the pens to see the colours, line thickness, smoothness on the paper, etc.  I set about doing just that at the top of my page so I could have the references ready once I started drawing.  This is a really good strategy if you are new to a medium.  Once you have familiarized yourself with the medium, this exercise becomes obsolete.


Knowing what to expect from the pens, I the set about finding some inspiration from my chosen book. My choice fell upon a design by Ruben Alterio.


Now, a confession.  i fully intended to take step by step photographs, but immediately became so completely hooked on the pens that I clean forgot about the camera.  It was some intense drawing for about 10 minutes or so, deciding which colours to swap out and what points to use etc.  The process was 100% FUN! It was only when I sat back to assess the finished product and my eye fell on the camera that I was reminded of what I was supposed to have done. Too late. Here is a side by side comparison:


And this is the end result.


Now, if I can give you good advice: buy these pens NOW, while there is still stock available at these incredible sale prices.  This is a medium I should have discovered ages ago!

To see the pens in store, simply click on the link below:
http://aprettytalent.com/products/faber-castell-pitt-artist-pens
To see the book on fashion design, follow this link:
http://aprettytalent.com/products/fashion-illustration

Hou jou paelet in toom - deur Marie Theron

HOU JOU PALET in TOOM!

Oor die jare het ek al heelwat Akrielverf palette weggegee omdat mense daarop verlief geraak het. Hierdie is ‘n lekker grote en hy gaan net hier bly. Hy is so mooi, en groet my met sy glimlag die oomblik wat dit lig raak.
  • Die eerste reel vir ‘n palet is om jou kleure elkeen hulle eie plek te gee. My boonste ry bevat my skaduwee kleure waarmee ek kleure verdonker. (Swart en Payne’s Gray kom nie naby hierdie palet nie) My skaduwee kleure is Indian Red, Winsor Violet en Prussian Blue. Links af is al my rooi en geel en oranje kleure en dit gaan om tot by wit. Aan die regterkant is al die bloue en groene en dit eindig by wit.
  • Gebruik ‘n klein paletmes wat met papierhanddoeke skoon gehou word, om kleure na die middel te sleep vir vermenging.
  • As jy klaar is , of die kleure begin set, neem die paletmes en skraap hulle plat. Laai dan nuwe kleur uit die buise bo-op die ou kleur en behou hulle plekke so.
Ek wil net graag drie uitsonderlike kleure hier noem: Zellen Pyrrole Red is die intenste rooi wat ek raakgeloop het, en Lucas nr 4866 is ‘n besondere Alizarin Crimson wat amper na maroon lyk. Die derde een wat ek van hou is aan Valencia te danke: Zellen Periwinkle Blue. (dis die mooi blou net langs my wit)

Die heerlike deel van hierdie palet is dat dit soos Merzbau is wat gedurig verander en elke dag anders lyk.
 
Geniet,
Marie Theron

Marie Theron se kuns is beskikbaar in die Gallery:

Marie het ook 'n versameling werke beskikbaar in die Made by Hand afdeling:

Marie se gunsteling 'stitched cartoons' is saamgestel in 'n verjaardag kalender en is te koop in die winkel:

Gaan kyk ook gerus na Marie se Facebook blad as jy graag wil sien wanneer nuwe werke beskikbaar word:


December 2014 newsletter


A Pretty Talent Newsletter
December 2014

Hello everyone who has a Talent for making Pretty things

It has been a busy time at A Pretty Talent since the launch of the shop from its Facebook platform to a full-blown website.  In this newsletter I will review what has been happening and look ahead at what is to come.  I will introduce you to the artists that have joined the newly established Gallery and talk a bit about the baby to the page, the Art on Auction section.  I will also do a bit of a product review as well as to devote a part of the letter to practical advice and tips for artists and crafters.
Throughout the journey to get the shop to where it is today, one thing has always been of the utmost importance to me, and that is to maintain a personal touch with clients, artists, suppliers, etc.  There are too many online stores where you have no idea who you are dealing with or who to get in contact with.  At A Pretty Talent, we actually encourage you to leave your shopping cart at the till and talk to us first about a better deal.  We keep posting email and contact details to make it easy for you to get in touch.  This will always be important at A Pretty Talent.  We want to know you.  This is the one shop where you matter and the things which are important to you, become important to us.

Where it all began

I loved browsing the various pages and groups on Facebook where artists and crafters advertised their works, or simply posted it to share with others.  During this time, I became increasingly aware of the fact that a number of people, especially, but not restricted to, people living in remote areas, found it hard to find the things they needed to pursue their talents.  Living in the hub of things, I also realised that almost all of the time, the things they could not find, were widely available where I lived.  This sparked the idea for creating a page where I would offer to source the required items for people and send it to wherever they were, asking only a small handling fee to make it worth my time and effort.  The name of this page?  A Pretty Talent.  After all, this was going to be a page to benefit those who had the talent to create pretty things.
Almost immediately I became introduced to some of the most wonderfully talented people you can imagine.  It did not take long for me to start thinking of them as friends rather than clients.  Being able to purchase items on a slightly larger scale made it possible for me to negotiate better prices with a number of dealers/suppliers, where they were not attached to chain stores, or found themselves under other contractual obligations.  These savings were a blessing to both me and my clients.
I then came across an advert on Facebook promoting a way to sell items directly from your Facebook page.  Having started to accumulate products that were frequently requested, rather than rushing off to search for it in the shops, I decided to test the waters.  I found this to be a perfectly wonderful setup, however I found that my friends and clients was a little sceptical about the whole business and that most of them found it very hard to negotiate.  Back to the drawing board then.
This was when I started taking a serious look at launching an online shop in the true sense of the word.  I finally decided that I’d had enough of the frustrations and limitations of the Facebook shop and took the plunge.  APrettyTalent.com was launched.  I have not looked back since.
Initially there were a lot of hassles trying to sort out payment methods.  I wanted to make sure that clients would have as many payment options as possible available to them, including debit and credit cards, EFT’s, PayPal etc.  It was equally important to me that clients’ details would be handled confidentially and I had to find a third party (financial institution) that could be trusted with this.  This institution runs fraud checks where necessary, which serves as a safeguard for everyone who buys or sells items on the website.  This means that you immediately have a little extra security on your transactions, something which is very important to me.
I frequently came across buyers or sellers on the craft pages where people had paid money for item which was never delivered (no, not as a result of the Postal strike), or where the item that was delivered was substandard to the one that was displayed in the Facebook posts.  These items very often could not be returned and people became disgruntled.  Sellers also found themselves in the position where they had sent items, trusting buyers to have made the payments, only to have found themselves defrauded.  A Pretty Talent serves as mediator here.  We receive the money and payments go through the necessary security checks.  When it has cleared, we inform the artist/crafter that they can now send the item that was paid for.  We still keep the money.  When the item reaches the buyer and the buyer accepts it as a satisfactory product in good condition, and the window for returns have expired (two weeks from receiving the item), then only do we pay the money into the account of the artist/crafter.  Unless there are unforeseen issues (such as the postal strike) the whole process should be finalised within 2-3 weeks.
Anyway, I regress.  With payment issues finally sorted, A Pretty Talent was officially launched during the last week of October.

The Art Gallery

Long before launching the online shop, I had already started toying with the idea of an online Gallery.  This was of course not a new concept, but I had a few of my own ideas that I could bring to the table.  Perusing the Facebook art pages and groups there were two things that became very evident to me.  The first of these were that artists did not have the necessary knowledge of how to promote themselves.  I would see some of the most brilliant art, lost between posts by other lesser works where the lesser works would gain more attention because the artist did not know how to photograph their work, or how to post it properly so that it would attract the most attention, or a myriad other reasons.  The second problem I encountered was lack of confidence.  Posting a work of art with a comment like “I don’t know what I’m doing but …” will not attract buyers.  Yet I saw fantastic works posted exactly in this manner, or even worse.
I also found myself wishing I could remember the name of the artist who was responsible for a certain post.  There are simply too many artists and the works are too jumbled up to even try to make heads or tails of this.  A lot of the admin of the groups or pages have made attempts at this, but the best attempts still seemed to fail and fall far short of what was needed.
This is why I finally decided to lend some assistance by providing a platform where artists could exhibit their work properly under their own name.  They would have a link to give people which would take them directly to their own works, without having to scroll through countless other works by other artists, a.k.a. the competition.
I provided artists with a list of guidelines that would have to be adhered to if I were to promote their work.  A buyer would have to know the dimensions of a piece, whether or not it is framed, a clear picture, the medium and surface, etc.  Most of the posts on Facebook had little or no information about their art.
I also go a step further.  I do my best to promote the artists in the Gallery across as many platforms as possible, taking it to social networks everywhere.  Pretty soon I want to start looking at paid advertising, but that is a discussion for another newsletter.  Artists who join the Gallery are much better positioned in the market and they now have someone commenting on their work, who does not apologise for lack of skill, but who promotes them the way they deserve to be promoted.
What does this cost?  You could expect to pay quite a bit of money to have someone do all of this for you, but I have decided on a wholly different business model.  In this model, I don’t make any money until you do.  It is only when you sell a piece of art that A Pretty Talent takes commission on the sale.  I realize that most galleries work this way, but it is also true that most galleries ask quite a bit more in commissions than what we do, not to mention that some ask hanging fees as well.  Still I have been criticized for asking any commission at all.  Sadly there are some very expensive realities that have to be covered and as much as a Facebook platform is free, running an online shop is not.  But I think you will also agree that you get quite a bit more in service from the Gallery, than from a mere post on Facebook that gets lost as time progresses due to the frivolity of a thing called a Timeline.
Another thing we do for the artists in the Gallery, is to write a Blog entry on them from time to time.  I have written such a Blog entry for artist Anton Kilian (http://aprettytalent.com/collections/gallery/products/anton-killian) already and you are welcome to take a look at it.  Here is a short extract:
“This month saw us welcoming Anton Kilian to the Art Gallery in A Pretty Talent.  Anton’s work has not been on display for long before one of his paintings was sold and he was extended an open invitation to display as many works as he wished to in the Gallery.  What is particularly fascinating about Anton’s style is his liberal use of colour.  He has an incredible talent for capturing the mood and emotion of his subjects, which enlivens the expressions on his portraits.  He then goes one step further by adding surprising splashes of colour to the paintings.  In the hands of a less skilful artist, this would detract from the work, but in Anton’s case it serves the purpose of underscoring what the portrait was already communicating.
Whilst it is certainly possible to see the brilliance of the artist in any one of his paintings, putting the paintings side by side and studying them in this manner, will establish this knowledge as an undeniable fact in the eyes and minds of the viewers.”
If your work is already in the Gallery and you would like to see something like this done about you, contact me at the email address below and I’ll get back to you.
To read the Blog entry for Anton Kilian, follow this link:
To read the latest update of the Guidelines to the Gallery, follow the link below to the notes on A Pretty Talent’s Facebook page.  If you do not have a Facebook account, send me an email to Marietjie@APrettyTalent.com and I will mail you a copy.

Made By Hand

With the Gallery well under way, I decided to turn my attention to the crafters.  I firmly believed, and still do, that A Pretty Talent could become a fantastic place to market these goods and products.
Crafters run into much the same problems as artists.  There posts move too far down the timeline and gets lost.  They are not known by name by their clients who can’t search for them.  I also came a cross a number of groups who refused links in their posts.  This made it difficult to invite repeat customers to like a personal page so that your info would be more readily available.  Worse still was the fact that a post would summarily be deleted if a potential client dared to leave any contact detail in the comments.  There were simply too many potential sales slipping through the cracks, and that is before I even start addressing the issue of non-payments and non-deliveries.  It seemed the groups were doing their best to bring buyers and sellers together, but simply were not equipped to deal with the task at hand.  For this I blame the platform.  Facebook groups are simply not set up to deal with this kind of traffic.  The groups are better suited to this, but the fact that Facebook randomly decides when users will and won’t see the newsfeeds from groups that they have liked, has led to a lot of distrust, causing people to shy away from pages. 
Another problem was the fact that many of these groups/pages were closed.  You had to apply for membership.  No problem.  This was readily granted.  The problem arose when you wanted to share a post and found that you could not.  Just last night I wanted to share a post from someone who made laser cut outs with a friend who was looking for this, but could not do so.  Another potential sale lost.
This is the reason it was so important for me to include the sharing buttons on A Pretty Talents store.  Every single product, piece of art, or item can be shared across the social networks by simply clicking on the buttons provided on the product’s page.  Better yet, you can leave a review of the product for every potential buyer to read.  You can even use a star rating system to rate the products.  And you have someone to turn to for intervention if the transaction seems to fail for some or other reason.
The restrictions on the craft groups have made it very difficult for me to advertise the services available through A Pretty Talent and I find that the growth of this section is much slower than I would have expected.  But it is early days still, and I am far from giving up.
Before parting from this discussion I would like to mention that, just as with the artists, crafters and their products will enjoy the same kind of promoting across various platforms.  There is a sliding scale for commissions, and commissions only get paid once an item is sold.  The rest of the organization is much the same as for art and I do not care to waste your time with repetition.
Crafters who would like to exhibit their work on A Pretty Talent’s Made By Hand section, can follow the link below to read the latest update of the Guidelines for Crafters, on A Pretty Talent’s Facebook page.  If you do not have a Facebook account, send me an email to Marietjie@APrettyTalent.com and I will mail you a copy.

Art on Auction

It was not long after this that I became engaged in a conversation on yet another Facebook group with some artists who expressed their wish for a place to sell their slow-moving art.  Most artists have paintings which they have painted some time ago, but for one reason or another, these works have not been sold.  Most of these have simply not been marketed correctly, some have not been promoted at all, and some have simply not been matched with the right buyer yet, despite all the best efforts being made.
Artists do not regard these paintings as substandard.  They still value these paintings and would love to see them do that which they were created to do; adorn the walls of someone who appreciates them.  Keeping these pieces is not an option.  Many artists simply do not have the space to accommodate older works, setting their studios up in the corner of the dining room, or some odd space around the house.
Someone in the discussion mentioned the possibility to putting the works on display and allowing potential buyers to make an offer on the works.  I mulled this over and came up with the idea for Art on Auction.
Artists are invited to send me these works, or others which they need to move quickly.  The art is not listed under the artist’s name, but as a single product.  There is therefore no requirement of submitting a certain number of works.  It still has to have good quality photos and be accompanied by all the necessary information a buyer would want to know.  The artist’s name still appears with the work.  The only difference is that there is no fixed price.  The normal selling price is listed as a discount, to serve as a guide for buyers, but the listed price is recorded as R0-00.  Buyers are instructed to contact me with an offer.  If the offer matches, or exceeds the reserve price I have on record, the work is sold.  If it is below this price, I contact the artist with the offer and it is either accepted, or negotiations begin.
When I launched this concept it was met with great applause.  The only reason there are such a limited number of art works available in this section is because I ran into one of the issues I mentioned earlier on.  I was sent a number of works by artists to place in this section.  When asking them why they did not rather submit their work to the Gallery, I received the unison answer of lack of confidence.  If you take a look at the quality of art on display in the Gallery, you have to agree with me, that there is not a single artist who does not deserve a proper place in the Gallery.  Some artists who have work in the Gallery have also submitted work to the Auction site and I have gladly included them there, because these truly are works which they need to move quickly.  Simply not believing in yourself will never serve as a good enough reason to submit your work here.  Send me your work and allow the buyers to see it on display and then vote with their money.
Once again it became evident that I would have to draw up some guidelines to make it easier for artists to avoid the pitfalls of bad marketing.  A copy of these can be found on the Facebook page for A Pretty Talent, by following this link to the notes.  If you do not have a Facebook account, send me an email to Marietjie@APrettyTalent.com and I will mail you a copy.

Drawing Equipment

One of my client-friends approached me about some advice on drawing equipment, wanting to know which pencils I thought were the best to buy.  This will always be a subjective matter and you will always have people on both sides of an argument vehemently supporting or rejecting a product.  That said, I did write an extensive article on the matter which I posted in the newsfeed in the shop.  Not only does the article review a wide range of products, I have also included photographs showing the quality of these items when put to the test.  This makes for marvellous comparative shopping.  It gets better still.  The article is also riddled with some really useful tips for blending, shading, adding washes and water, as well as negative drawing with an eraser.  Various tools are discussed, beside the pencils as well, making for interesting reading for anyone keen on drawing and not wanting to waste money on buying the wrong equipment.
To read the full article, follow the link provided.

The State of Affairs

Where is A Pretty Talent currently?  New products are added to the shop weekly (almost daily) and the stock keeps expanding.  Statistics show that ever more people are visiting the shop and that the number of first time visitors is on the rise.  The majority of visitors still come to the shop via Facebook links (approximately 50%), but more and more people are visiting the shop through means of search engines and direct URL navigations.  In layman’s terms this means that people are already starting to recognise the shop by name, remembering it and searching for it through memory rather than through some link they happened upon on Facebook or some other social network (all of which show hits).  This is excellent news for everyone whose works are on the ‘shelves’, because it means that within two months, we have already transcended the social networks, something which is usually only achieved through some form of paid advertising.
We all have a vested interest in making this work.  The more visitors the shop has, the better the odds of someone noticing your work and purchasing it.  I want to encourage everyone who has an item in the shop to make use of the sharing buttons and to get the word out there.  A Pretty Talent has arrived on the scene and is here to promote South Africa’s creative talent.  The greatest success is not in numbers, but in establishing artists by name in the hearts and minds of the South African public.  The same goes for crafters.  You no longer need to restrict the sale of your high quality products to the dusty walkways of the markets.  You can now promote your work under your own name and establish yourself as a crafter of quality products.
While you are out there promoting yourself and what is essentially your shop, why not encourage people to open an account in the shop’s homepage?  Simply click on the Create an Account option in the top right corner of the page, in the purple bar, and follow the steps provided.  This does not cost anything and it does not require any financial information from you.  It simply makes it easier to buy from the shop, if you see something you like, and it ensures that you receive the newsletter, keeping you abreast of what is happening.  You can also choose to deselect the box, if you choose not to receive the newsletter.
Speaking of which, the newsletter endeavours to explain in great detail what A Pretty Talent is all about and what we have to offer.  Why not send it on to the people in your address book who might find a service like this one useful?  Spread the word and bring both the buyers and the exhibitors.  You can also share it on the web page by clicking on the social network sharing buttons at the bottom of the article.  Everybody wins!

The Future

So let’s look ahead at what is in the pipeline at A Pretty Talent.  There are a number of ideas I am considering, one of which is services.  A large number of artists and crafters have services to offer and we want to explore the possibility of facilitating contact between customers and service deliverers.  A cake decorator could advertise their services in a specific area and clients could get in contact through the shop.  The same could be done for commissioned art works, art lessons, etc.  Here the possibilities are endless.
We are also in the process of investigating the possibilities of making the shop available for the sales of self-published e-books.  There are a couple of snags which still need to be sorted, but it is starting to look like a very real possibility and we might very well launch this option in the next few months.  We would like to hear from you if you have any ideas or opinions on this.  Please send an email to Marietjie@APrettyTalent.com
Something else I am looking into is organizing an Art Tutorship Tour.  The idea is that a group of enthusiasts would get together and tour from one artist to the next over the span of two week, learning some tips and tricks from participating art instructors.  At one venue, we will learn oil painting, at the next it will be watercolours and so on.  Anyone who would like to be part of such a group, or who might be interested in being included as one of the instructors on the tour, should contact me at the email above so that I can start putting together a database for this idea.

Products

There are a handful of products that I would like to bring to your attention.  The first of these is the packages with art supplies that we have put together with specific purposes in mind.  Each of these packages has a special reduced price that has been worked out so that you can have those dream sets at a much more affordable price.  Follow the link to see the detail of these offers:
Another product that has me very excited is the BG Canvasses.  This is the ideal surface to paint on.  This surface is made of 330 gsm pre-stretched primed canvas that has been cold-pressed onto a masonite board backing, which is mounted onto a 35 mm deep frame.  This is a marriage of the best of all worlds.  You still have a thick canvas surface to paint on, but with the steadier backing of a wooden panel.  This means that you no longer struggle with a soft canvas that keeps on giving way under the pressure of your hand.  But it is even better than that.  Because the whole thing is then mounted onto a 3 mm deep frame, it means that it will no longer wobble or bend, like board has a tendency to do, especially when working with bigger sizes.  The canvas is less likely to tear or get damaged and, being pre-stretched, won't make bubbles or shrink or stretch, as some canvasses tend to do.  Best of all, galleries will accept your work, because it is done on canvas.  Alternatively, you can buy the canvas, as described above, pre-framed in white-washed vintage wood.
Follow this link to see the details on this product:
One more product that I am personally very excited about, is the Marie Theron Birthday Calendar.  Marie Theron is an exceptional artist who is skilful across a variety of mediums and styles.  She has now compiled a selection of her favourite works into a birthday calendar.  This means that you can now have a large collection of her works in your house at the fraction of the cost it would have cost you to buy the originals.
Follow the link to see the calendar:

We will be right here to see you through the holidays, but if you are going away, we wish you a safe journey.  May your Christmas be a blessed one and may you and your family be blessed with all the goodness that can be found in God.

Merry Christmas and a Happy New Year
Marietjie

Visit the shop at: www.aprettytalent.com

Meet the artist - Anton Kilian

Meet the Artist 
Focus on Anton Kilian
 Anton Kilian - 18 February –
This month saw us welcoming Anton Kilian to the Art Gallery in A Pretty Talent.  Anton’s work has not been on display for long before one of his paintings was sold and he was extended an open invitation to display as many works as he wished to in the Gallery.  What is particularly fascinating about Anton’s style is his liberal use of colour.  He has an incredible talent for capturing the mood and emotion of his subjects, which enlivens the expressions on his portraits.  He then goes one step further by adding surprising splashes of colour to the paintings.  In the hands of a less skilful artist, this would detract from the work, but in Anton’s case it serves the purpose of underscoring what the portrait was already communicating.
Whilst it is certainly possible to see the brilliance of the artist in any one of his paintings, putting the paintings side by side and studying them in this manner, will establish this knowledge as an undeniable fact in the eyes and minds of the viewers.
                                                      
Status – R1200                  I Am – R1000                          Beauty – R1200
Growing up, Anton was one of those kids who used to do lots of pencil drawings when he was at school, but he never had any formal training in art.  After school he studied law and enjoyed 25 years in the legal fraternity, culminating in his becoming a practising advocate. In 2000 he finally decided to wave the stresses of the legal profession farewell and transformed himself into a businessman.
During all this time, his latent artistic talent kept nagging at him to be released and at 59, in 2013, he finally caved in and started exploring his natural talent.  “I decided time was running out … now or never …”
Anton went for 9 months of lessons with Wessel Coetsee, before deciding that he was ready to start painting his own way and developing his personal style. It was at this stage that he started experimenting with the marriage of bold colours and portraits, for which he is fast gaining fame, drawing his inspiration from the likes of Solly Smook, Lionel Smit and Jimmy Law.
Anton got married at the relative young age of 22 and is still married to that same young girl of 21.  They had four boys, persistently, but unsuccessfully trying for a girl.  Anton professes his love for each one of his sons openly, stating in no uncertain terms that he set it as a goal to be a loving, understanding and sensitive father to them.
The family home extends further than its human inhabitants though: “I could never understand the absence of pets in families.  I have always loved my cats and dogs, having two of each. Of the four, my blue-eyed-girl is a 1 year old rough collie.”
Before he took up painting, Anton explored the art of photography with the same passion he does everything else in life, investing in state of the art expensive equipment and attending numerous courses.  These days photography has to take a second seat to painting which has become his first love.  Painting relaxes him and leaves him with a sense of deep-seated satisfaction, whilst simultaneously becoming a means of self-expression.
Art collectors and enthusiasts should take note of this budding artist.  Being new on the art scene, Anton’s work is still very well priced, but I predict that this will not be the case for very much longer.  This artist is making fast strides in his new career.
Visit the shop at: www.aprettytalent.com
Visit Anton Kilian’s work in the Gallery at: http://aprettytalent.com/collections/gallery/products/anton-killian

Art on Auction Guideline

Art on Auction Guidelines

Please take note:  All work has to be the original work of theartist.  A Pretty Talent will not acceptor share responsibility for plagiarism or copying in any form of another person’swork, regardless the format.

Follow these simple steps to have your work displayed in the Art On Auction tab on APrettyTalent.com.
Send an emailto gallery@aprettytalent.com withthe following information:
  1. The name under which you market your art;
  2. Good quality photos (do not reduce the pixels to make the files smaller) of your completed works:
2.1            Photosmust be taken in good lighting conditions. Get as close as possible to the photo. The painting should fill the whole frame of the photo, preferably touchingall 4 sides in the lens.  If this is notpossible, the photo should be cropped on the computer;
2.2            No partof the painting may be cut off from the photo;
  1. If the files are too big to fit into one email, you can send more than one email;
  2. The title and details of each work must be clearly indicated (size, weight, framed/unframed, medium(s), surface, any other relevant information (such as inspiration etc.);
  3. 2 or 3 sentences about yourself as artist;
  4. The subject line of the email must be your Artist name.
  5. We charge 25% commission on sales of work.  The work which goes into the Art on Auction tab is work which the artist wishes to unload and is willing to sell at a reduced price.  You have to give me the price at which the work has been available for sale.  The art is put up for ‘auction’ and buyers get to make you an offer for less than the asking price.  When deciding whether to accept the offer or not, you have to remember that A Pretty Talent will require 25% of whatever amount is agreed on.
  6. You are to provide A Pretty Talent with a reserve price for each piece that is submitted.  If an offer is made that is above the reserve price, it will be accepted.  If the offer is lower than the reserve price, and the buyer isn’t willing to meet the reserve, I will contact the artist to hear if the sale should be finalised or not.
  7. If you sell the work privately, we require that you inform us immediately so that we can keep the stock registers current. You can use the same email to send me a photo and the detail of another piece you would like to put in the Auction.
  8. The art remains with you and if it is sold, I will arrange with you to have it delivered either to A Pretty Talent, or to the client. Packaging, posting/delivery is to be paid by the client/buyer and is automatically calculated at checkout.
  9. We reserve the right to market your work as widely as possible, including in advertising, social media and any other viable platform.
  10. If your work is selected for display in the Art on Auction section, you must create an account on the shop.  This does not require any money.  It will simply ensure that we have all the necessary contact and shipping details on file when orders are placed.  You will be given an option to receive promotional material from the site.  You are welcome to untick this option, if that is your preference.  However, your own work may also appear on this material.
If this has peekedyour interest, please visit our Facebook page at: 
You can also visitour webpage: 

Marietjie

Art on Auction Riglyne

Let asb. op:  Alle werk moet die oorspronklike werk van diekunstenaar wees.  A Pretty Talent sal nieenige verantwoordelikheid neem of deel vir enige vorm van plagiaat of kopiëringin enige vorm van iemand anders se werk nie, ongeag die format daarvan.

My aanlyn-winkel AprettyTalent.com het nou ’n ‘vendusie’ afdeling waarkunstenaars hulle werke kan uitstal. As jy belangstel om jou werke daar te sienen te bemark kan jy vir my ’n epos stuur na gallery@aprettytalent.commet die volgende inligting:
1.      Die naam waaronder jy joukuns bemark;
2.      Goeie fotos (moenie diepixels verminder om die file kleiner te maak nie) van jou voltooide werke:
2.1.   Fotosmoet in goeie beligtings-omstandighede geneem word.  Neem die foto so na as moontlik aan diekunswerk, eerder as om die zoom funksie te gebruik.  Die foto moet die hele lens vul, enverkieslik al vier die kante raak in die viewer.  As dit nie moontlik is nie, moet die foto opdie rekenaar ge-crop word;
2.2.   Geen deelvan die kunswerk mag afgesny word nie;
3.      As die files te groot is,kan jy dit in verskillende emails stuur;
4.      Elke werk se naam endetails moet duidelik gemerk wees (grootte, gewig, geraam/ongeraam, medium(s),surface/agtergrond, enige ander relevante inligting (soos inspirasie ens);
5.      2 of 3 sinne oor jouselfas kunstenaar;
6.      Die subject line van dieepos moet jou kunstenaarsnaam wees.
7.     A PrettyTalent neem 25% kommissie op alle werke wat verkoop.  Die werke wat in die Art on Auction afdelingopgeneem word, is werke waarvan kunstenaars wil ontslae raak en bereid is omteen ‘n verlaagde prys te verkoop.  Jymoet my voorsien van die prys waarteen die kuns nog altyd beskikbaar was.  Die kuns word dan op die ‘veiling’ gesit enkopers word gevra om ‘n offer in te sit wat minder is as die oorspronklikeverkoopsprys.  Wanneer jy oorweeg om dieoffer aan te neem, of nie, moet jy in gedagte hou dat A Pretty Talent 25% neemop alle verkope, ongeag wat die prys is waarop ooreengekom word.
8.      As jy die werk privaatverkoop, moet jy my onmiddellik in kennis stel, sodat ek die webblad se stockkan opdateer. In dieselfde epos kan jy vir my ’n ander werk stuur om in dieverkoopte een se plek te bemark.
9.      Die werk bly in jou besiten as dit verkoop, sal ek met jou reël om dit na die klient of na my teversend. Versendingskostes word deur die klient betaal en word outomaties opdie blad bereken met checkout.
10.   Ek behou die reg voor omjou kuns so wyd as moontlik te bemark (onder andere op sosiale netwerke soosFacebook, Twitter, Google+, Pinterest ens.)
11.  As jouwerk owrd Art on Auction gedeelte ten toon gestel word, moet jy asb ‘n rekening(account) oopmaak op die webwinkel.  Ditbehels geen geld nie.  Dit is sodat onsal jou kontak details en verskepingsadresse op lêer het wanneer daar ‘nbestelling geplaas word.  Gedurendehierdie proses sal jy die opsie gegee word om promosie materiaal van die webbladte ontvang.  Jy is welkom om hierdieopsie te deselekteer/‘untick’ as dit jou voorkeur is.  Hou in gedagte dat jou eie werk ook inhierdie promosie materiaal mag verskyn.
As jy belangstel kan jy na my Facebook Page gaan kyk:
Jy kan ook die webblad self besoek:

Marietjie